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ÀÛ¼ºÀÏ : 13-05-29 20:19
 Cultural Protection Policy in Korea(Çѱ¹ÀÇ ¹®È­À纸ȣÁ¤Ã¥)
Yang Jongsung(¾çÁ¾½Â)
2003-09-10
½ÅA5
89-88095-68-5
18,000
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[Korea Dissertation Series 3]

Korea is a nation with an ancient heritage of diverse indigenous folk traditions. In 1962, the South Korean government established the Cultural Property Protection Law(CPPL) as a part of the conservation policy, under which folklore genres are authorized as important intangible cultural properties and folklore performers are designated as living national treasures. The Cultural Protection System is a policy and a set of laws, and as such its power, force, and breadth of control are deeply reflected in the performers and performances of folklore throughout Korea. Focal questions arise as to whether ¡°folk¡±(performers) can still be active in the communicative process when their creativity is limited under the rules of the protection laws, and whether ¡°lore¡±(performance) can continue as a form of communicative process when it is static under the rules of the protection law.
This study is concerned with the effect on folklore genres and folklore performers of national legislation for the protection of cultural properties and its related policies as the process had developed through 1994. In the first part of the present study Korean folklorist's concepts from the field and their contributions to the development of the CPPL are discussed. In the second part, folklore and folk performers are addressed as the related to political ideology and expressions of cultural nationalism.

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ÀÌ Ã¥Àº 1994³â °³Á¤µÈ ¹®È­Àç°ü¸®¹ýÀÌ Á߿乮ȭÀç¿Í Àΰ£¹®Á¦ µî ¹Î¼Ó¹®È­ À帣¿¡ ³¢Ä£ ¿µÇâÀ» »ìÆ캸°íÀÚ ÇÏ¿´´Ù. ù°, Çѱ¹ ¹Î¼Ó¹®È­ º¸À¯ÀÚ¿¡ ´ëÇÑ °³³ä°ú ¹®È­Àç°ü¸®¹ý°úÀÇ ¿µÇâ°ü°è¸¦ ´Ù·ç¾ú´Ù. µÑ°, ¹Î¼Ó¹®È­¿Í ¹Î¼Ó¹®È­ °ø¿¬ÀÚ¸¦ Á¤Ä¡ À̵¥¿Ã·Î±â¿Í ¹®È­¹ÎÁ·ÁÖÀÇÀÇ °üÁ¡¿¡¼­ °íÂûÇÏ¿´´Ù. "

 
   
 

 
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